How to play Cheater Click on the girls’ tests to cheat and gain points. Stop looking when the exclamation mark turns red, or you’ll get caught. Fun & Crazy 5,030 games; Play with friends. Boyfriend Cheater 56,582. Add this game to your profile’s TOP 3 loved list.
A game can be bad for many, many reasons. Maybe it's too hard. Maybe the developers forgot to include an important clue. Maybe important information got lost in translation. Maybe it was good at the time and hasn't aged well, or maybe it just doesn't make any sense.
It’s a lot of fun until cheating became so rampant the Daybreak Game Company had to ban a whopping 30,000 players. The only way to get unbanned? A public apology. Some players took that to heart and made their own apology videos on YouTube. Here’s one, if you’re feeling a bit masochistic today. The game developers only lifted the ban on. MY GEAR- SNIPER: BBs: GU. # neon # cheater # neon rated # neonrated # portrait of a lady on fire # fox # lethal weapon # cheating # cheat # bastard # cheater # fight # fighting # penguin # nat geo wild # nat geo # sex # mario # animation domination # animation domination high-def # monster # mario # kart # cheater # cheaters # slap # exes # cheater # owen wilson # movie. Download Game Cheater 4000+ Game Cheats apk 1.5 for Android. The Game Cheater App contains 4000+ games cheats, helping you to win the game. A man suspected his wife was cheating on him, so when he left town, he hired a famous Chinese detective to investigate. A few days later, he received this letter: Most Honorable Sir, You leave house, he come to house. He and she leave house, I follow. He and she go to hotel, I climb tree to see. He kiss she, she kiss he. He strip she, she strip he.
While cheat codes won't fix bad graphics, poor storylines, or unresponsive controls, they can help rescue games from developers' oversights, and in some cases, introduce entirely new, superior ways to play. Yes, with cheats, you may not be playing some of these exactly like their designers intended—but if you're having fun anyway, then what's the real harm?
You know what's not fun? Taxes. You know what you have to deal with in a normal game of SimCity 2000? Taxes. In a standard round, the way you make money—which you need to do things like build roads, establish industrial, commercial, and residential zones, or pretty much anything else in the game—is by taxing the population of your city. If the taxes are too high (and they're always too high), existing citizens complain, and nobody new will move in. If they're too low, you'll quickly run out of cash, making it impossible to build the city of your dreams.
Given that the fun part of SimCity is building wild, impossible urban landscapes—and not balancing your checkbook—just skip the whole thing. In SimCity 2000, if you type 'imacheat' at any point during the game, a mysterious benefactor will deposit $500,000 into your bank account.
Don't feel bad—everyone else is doing it too. In fact, infinite money cheats are so ubiquitous among SimCity players that almost every version of the game includes one. Just keep in mind that, when you use these cheats, there's also a chance that a disaster will strike your city. Don't worry about it, though: it isn't like you weren't going to unleash an earthquake or an alien invasion on your budding metropolis at some point anyway.
Most people who played video games in the mid-to-late 2000s have a stack of plastic instruments in their closets, and for good reason. While the novelty of the guitar-shaped controllers might've worn off, Guitar Hero is still very, very fun—and Guitar Hero 3 is the game that really made the series a superstar. With 73 separate songs on the disc and a handful of different difficulty settings, Guitar Hero 3 has enough content to keep you busy for years—once you take the time to unlock everything.
See, for some reason, the game begins with most of its tracks unavailable, and players will have to grind through pre-defined setlists or earn enough in-game currency to access them all. Not only is that annoying and time-consuming, but it's an excellent way to get sick of the game—and its music—before even getting to play some of Guitar Hero 3's best tracks.
Thankfully, there's an easy solution. Inputting a series of chords will make every track in the game available in Quick Play mode instantly, eliminating the need to grind away to unlock everything. That's a good thing, too, because if we have to hear 'Hit Me With Your Best Shot' or any of Guitar Hero's entry songs one more time, we're going to go full-on Pete Townshend on our plastic Les Pauls. You've been warned.
In most games, cheating is an option. Every once in a while, it's a necessity. Just look at Castlevania II: Simon's Quest. Like other so-called Metroidvania games, Simon's Quest features an open, non-linear world for players to explore. Unlike other Metroidvania games, Simon's Quest features one of the worst Japanese-to-English translations in video game history. For some games (the original Legend of Zelda, for example), butchered text isn't a problem. In a game like Simon's Quest, which relies on subtle clues to guide players towards objectives, it's a disaster.
For example, raise your hand if you can figure out what 'Hit Deborah Cliff with your head to make a hole' means. Anyone? That's what we thought. As a result, if you want to beat Castlevania II, you have two options: either you can wander through the map, trying everything possible on every square until you luck into the right solution, or you can pull up a walkthrough, which will explain that in order to proceed, you need to hold a red crystal while kneeling on a in the graveyard. Yes, that's cheating, but given the situation, nobody's going to hold it against you. Trust us.
During the early '90s, when fighting games ruled the video game world, Street Fighter II was the undisputed king of the arcade. It had everything you needed. Not only was it the first modern fighting game, but its cast of colorful and interesting characters like Ryu, Guile, and Chun-Li, easy-to-learn but hard-to-perfect special moves, and fast-paced combat made it hard for any other game to measure up. But Mortal Kombat had one thing that Street Fighter II didn't: lots and lots of gore.
For parents (and major political figures like Joe Lieberman and Second Lady Tipper Gore), Mortal Kombat's blood—to say nothing of its ultra-violent Fatalities—presented some problems, and when Mortal Kombat migrated from arcades to home consoles like the Super Nintendo and Sega Genesis, Nintendo and Sega had some tough choices to make. In order to keep its family-friendly image intact, Nintendo censored Mortal Kombat's most extreme moments and made the blood gray, passing it off as sweat.
Supposedly, Sega followed suit—but as any '90s kid knows, that wasn't really the case. After booting up the Sega Genesis, pressing A, B, A, C, A ,B, and B on Mortal Kombat's 'Code of Honor' screen unlocks the full, blood-soaked version of the game, delighting children around the country. As a result, there's no real question which version of Mortal Kombat is superior. The Super Nintendo version of Mortal Kombat has better sound and smoother graphics, but the Genesis one has decapitations. We know which one we'd choose.
In 1997, Turok was fine. First-person shooters had yet to make their mark on home consoles—Turok came out a few months before GoldenEye: 007—and Turok's edgy, mature tone provided a nice contrast to the rest of the Nintendo 64's colorful, kid-friendly lineup. At the time, it was easy to forgive the blocky graphics, awkward platforming sections, or the mist that kept everything farther than a few feet away out of sight in order to protect the Nintendo 64's limited CPU.
And while the basic game itself hasn't aged well, it's still fun. If you don't know why, we've got two words for you: disco mode. Going to Turok's cheats menu and entering SNFFRR fills the game's prehistoric world with flashing lights, and transforms its enemies from foes into guests at a worldwide rave. Because you know what's better than battling cybernetically enhanced dinosaurs? Dancing with cybernetically enhanced dinosaurs.
Oh, and don't worry: if your Nintendo 64 doesn't work any more, the 2015 remaster includes both disco mode and a level editor, meaning that you're only a few clicks away from creating the prehistoric dance club of your dreams.
Compared to previous Final Fantasy games, Final Fantasy VIII is different. In the preceding titles, character progression works in a consistent way: earning experience points levels characters up, making them stronger, while equipping things like jobs, Materia, or Magicite teach them spells and skills that they need to survive.
Final Fantasy VIII, however, uses something called the 'Junction System.' Squall and his friends don't inherently know any magic. Instead, they steal spells from enemies, which they can either save or unleash on unsuspecting foes. But in Final Fantasy VIII, magic isn't just for battles—if you want to complete the game, you'll also need to attach the magic in your collection to your characters' various stats. The more copies of a spell that you have in your inventory, the stronger your characters become.
It's an interesting system in theory, but in practice, it makes Final Fantasy VIII an endless slog. In order to stay competitive, you'll need to artificially extend battles while you harvest the magic that you need, leading to repetitive gameplay and slowing Final Fantasy VIII's leisurely plot to an absolute crawl. It's tedious, not fun. Square Enix must've realized that too, because in the game's recent mobile and PC re-releases, Final Fantasy VIII comes with a number of built-in cheats that reduce grinding to a medium. Instead of spending all of your time picking away at monsters while gathering spells, you can gather all the magic you need with the press of a button. It makes the game a lot faster, and while it's easy to end up overpowered if you're not careful, it can make Final Fantasy VIII flow a lot better, too.
Battletoads is infamously hard, but for the most part, it's the fun kind of hard. The characters might be second-rate Teenage Mutant Ninja Turtles knockoffs, but the third-person brawling is solid, and most of the levels are eminently beatable if you practice and pay attention.
The same can't be said for the game's racing sections. In order to traverse the underground Turbo Tunnel Zitz, Rash, and Pimple hop on some high-tech hovercraft and partake in a high-speed race that requires split-second timing in order to dodge the tunnel's many obstacles. If Battletoads were a modern game with permanent saves and checkpoints, that would be fine. But Battletoads is a retro Nintendo title, and like most games from that era, once you run out of lives it's game over.
That makes memorizing the Turbo Tunnel's layout tedious and time-consuming, especially since you'll have to battle your way there from the beginning every time you run out of continues. Most people just give up, but you don't have to. If you hold down A, and B while you hit Start on Battletoads' continue screen, you'll resume with a few extra lives, giving you some extra chances to get things right. Using a Game Genie, a Pro Action Replay, or emulator-enabled cheats, you can give yourself infinite lives, letting you practice until you've got the whole level committed to memory. Or, if you really want, you can just skip the hardest part of the Turbo Tunnel entirely—hit the 10th gate in the fifth and final section of the level and you'll warp straight to level five, where you'll probably be killed by a floating log while cruising through Surf City.
As the very first Mario Kart game with online play, Mario Kart DS should've been a triumph. It wasn't. Oh, at the time, the game's impeccable selection of courses, refined controls, and slick presentation made it one of the very best single-player Mario Kart experiences. It's when you ventured online that the problems started.
Ever since Mario Kart 64, racers have been able to get small speed boosts while drifting. Originally, to get the boost, you'd need to quickly flick the controller's joystick (or D-pad) in the opposite direction and back while holding down the drift button. Execute the move successfully, and your kart's exhaust turns from white to orange. Do it again, and the smoke becomes blue, increasing your speed temporarily once you let go of the drift button.
In Mario Kart 64 and Mario Kart: Double Dash!!, mini-boosts gave Mario Kart an extra layer of depth. In Mario Kart DS, it broke multiplayer. With a technique known as 'snaking,' players learned how to quickly drift and boost while effectively moving in a straight line, leaving less experienced players in the dust. It's not how Mario Kart is supposed to be played, and if you didn't master the technique, you'd be quickly left behind. If you wanted to stay competitive, you had to learn how to snake yourself. Sure, that made you part of the problem, but hey. A win's a win.
A well-constructed video game puzzle is kind of like a magic trick. The game designers need to give players all the tools they need to find the solution on their own, but if they nudge the player too far in the right direction, it takes all the fun out of solving the puzzle. Some games, like The Legend of Zelda: Ocarina of Time, get it just right. Others, like Zelda II: The Adventure of Link, do not.
Take Zelda II's Hidden Palace, for example. When you start the dungeon, you'll need the Magic Key, which unlocks an infinite number of doors, to get past the third screen. In order to get the Magic Key, you have to cast the spell Spell (yes, that's what it's called) at a dead end at the edge of the Hidden Town of Kasuto in order to uncover the Key's hiding place. To pull that off, you'll need to find the Hidden Town first—which involves chopping down trees with your hammer, because that's absolutely how forestry works—and learn Spell from a Kasuto native, and then you need to figure out what Spell does, because that name doesn't help at all (Spell also transforms some monsters into other monsters, which has nothing to do with making temples appear, adding to the confusion).
Oh, and the one hint you get to set you in the right direction? In Kasuto Town, non-hidden edition, an old man says. 'THE TOWN IS DEAD. LOOK EAST IN WOODS.' That's it. There's nothing about hammers, spells, hidden temples, or keys. Sure, if you're nine years old and have the time (and patience) to try everything, you might find get lucky and find your way on your own. If you're not, just check a walkthrough, then get back to the fun part: decimating Moblins and making Ganon beg for mercy.
Like the radio drama and book series it's based on, the Hitchhiker's Guide to the Galaxy game is hilarious. It's also brutally difficult, especially by today's standards. While text-based games don't get much play these days, back in the '80s, they were a big deal. Since nothing needed to be animated—words are cheap, after all—in these games, players can do almost anything, as long as they know the right words (known as 'verbs') to type. Seasoned adventure game veterans can navigate walls of text with ease. For those of us raised on graphics and controllers, however, knowing which verbs to use can be a challenge all on its own.
That's true for both easy and hard adventure games—and Hitchhiker's Guide to the Galaxy is definitely not easy. A single mistake can result in Arthur Dent's death, sending the player back to the beginning. If you don't solve certain puzzles, or don't solve them the right way, you may not be able to beat the game—but Hitchhiker's Guide to the Galaxy won't necessarily tell you, letting you endlessly try the same commands over and over until you give up.
And then, of course, there are the puzzles themselves. The Hitchhiker's Guide to the Galaxy series thrives on its twisted logic, and the game does too, which is great for making jokes but doesn't always lead to straightforward solutions. For example, in order to get the Babel Fish, which you'll need to translate alien languages, you have to solve a puzzle so complex and convoluted that the developers actually made t-shirts that successful players could buy to brag about their achievements.
You could spend hours (if not a lifetime) trying to solve the Babelfish's memories— or, if you're just looking for some jokes, you can look at a walkthrough. Hey, we like puzzles too, but we also like things that make sense. In Hitchhiker's Guide to the Galaxy, those two things don't always go hand in hand.
Many older games aren't that long—with limited storage space, there's not always room for a whole lot of content—and so, in order to make a game last longer, developers made many of them extra difficult. That's the only possible explanation as to why Ikari Warriors is so hard, especially on home systems. In the arcades, Ikari Warriors had rotary joysticks, which can be twisted in addition to pushed in eight directions, and co-op multiplayer to set it apart. On consoles like the Nintendo Entertainment System, Ikari Warriors is mostly notable for its steep learning curve, which wasn't softened at all for home release.
In fact, Ikari Warriors on the NES is longer than the arcade game, and doesn't have continues enabled by default. That's ridiculous. In arcades, harsh difficulty curves were used to gobble up as many quarters as possible. That's not necessary for home releases. The developers already have your money, and Ikari Warriors is difficult enough even with infinite retries. Thankfully, there's a solution if, after wasting your measly three lives, you want to pick up where you left off. In the gap between the game over and title screens, enter a special code (A, B, B, A) and, most of the time, you'll pick up right where you left off. Continues don't stop Ikari Warriors' brutal action scenes from feeling like a meat grinder, but unless you want to throw your controller through your television screen, it's pretty much the only way to play.
Here's an idea: take a property made famous by a children's television show, then use it to make a game that's far, far too difficult for most of the kids who actually watch the thing. That's what Konami did when it made Teenage Mutant Ninja Turtles on the Nintendo Entertainment System. The bulk of Teenage Mutant Ninja Turtles, which features unforgiving action-platforming and respawning enemies, is hard enough. The second half of the second level, in which the turtles have two minutes and 28 seconds to disarm eight underwater time bombs, is infamously near-impossible.
Enter the Game Genie. While you could spend your time trying to master the level, it's easier to use Galoob's controversial cheating device to plow through the underwater hellscape. Entering SXVZGSOO on the Game Genie's launch screen (or the analogous menu in any popular NES emulators) renders the dam level's radioactive seaweed absolutely harmless. That makes the swimming challenge a lot easier to navigate, and while you'll still have to deal with the turtles' Flappy Bird-like controls, you should be able to disarm the bombs and finally, finally see what lies beyond the Hudson River (or you could just take Teenage Mutant Ninja Turtles out of your NES and swap in the superior Teenage Mutant Ninja Turtles 2: The Arcade Game, which has just as many mutants, but is also a fun, beatable game).
I recently received an out-of-the-blue email from the owner of GameHacking.org. He said that he enjoyed an article I wrote about hacking video games for Christine Alfano’s “Rhetoric of Gaming class” at Stanford. Call of duty 2 game cheats.
His email made me realize that I never posted the final version of that research paper here on my blog. My writing style has changed a lot since 2009 when I wrote this paper. I like to think I’m less verbose now. Still, it’s a pretty cool paper and definitely a fun read – especially if you’re a gamer.
Without further ado, here it is:
by Feross Aboukhadijeh (June 2, 2009)
The last decade has seen a dramatic rise in the number and popularity of video games. This rise in interest has not been without its negative side effects, however. There are many thousands of players who are not content with playing the game as designed by the game developers.
These players – hackers and cheaters – seek to manipulate the game experience for their benefit. Repercussions of this behavior include ruined game experiences for other players, theft of virtual currency, and intimidation of other players. Cheaters are often looked down upon in the gaming community as “spoil sports” and troublemakers because they dare to push the limits of the video games they play.
However, despite the obvious negative effects of cheating, this paper will argue that creative innovation of game action that was not intended by the producers is actually positive for the game experience. These so-called cheaters are actually innovating in new ways, creating an entirely new form of creative expression.
God-like immortality. Infinite ammunition. Really large heads.
What do all these things have in common? They are all features that can be accessed – or “unlocked” – by using cheat codes, cheat devices, or software hacks in video games. Most players wouldn’t consider using a cheat code in a single player game to be cheating, but what about using a hardware add-on like a Game Genie to make a game easier to beat?
Or what about hacking the game files in a MMOG (massively multiplayer online game) to make your attacks stronger against other players? Or what about just playing the game in a unique way that the game developer did not intend? How far is too far and where should the line be drawn? What is the significance of stretching the boundaries of games, as gamers often do? When does the experience stop being a game?
The answers to these questions are not clear, and the discussion is often muddled by the misunderstood history of cheating in video games [ref]. Almost every type of video game – online and offline, single player and multiplayer – has cheaters. Although most game companies don’t consider cheating to be within the realm of legitimate gaming, cheating does have many of the characteristics of a video game.
For example, it has well-defined rules or goals – it usually involves obtaining items of value or increasing one’s in-game rank – but, like a good game, the methods by which to accomplish these goals are up to the cheater to decide. In this paper, I will examine the place of cheating in video gaming and argue that cheating can and should be seen as an important, and indeed essential, part of video game culture.
Cheating in video games is a topic that is frequently debated on gamer message boards and in the academic community. The game world is a designed to be a closed structure: “the game mechanics define the interaction processes” says Professor Tonguc Sezen, a digital media analyst. However, gamers frequently break the predefined rules and “cheat.” But what actually is cheating in a video game context?
Every player, it seems, has her own definition of what specifically constitutes cheating in a particular video game. The conflicting opinions about the definition of cheating are a source of confusion for many players, contributing to the ethical ambiguities surrounding video game cheating. The differences between online and offline games also figures into our analysis of cheating, since offline cheating does not affect the game experience of other players.
Online cheating, on the other hand, affects real people who have invested their time, money, and emotional energy into developing their online avatars. This difference is very important.
Mia Consalvo, author of Cheating: Gaining Advantage in Videogames, the seminal work on video game cheating, cites three main perspectives that players take with regard to cheating:
“Purist” Perspective: Purists see any outside help to complete a video game as cheating. Anything other than a solo effort is an ethical compromise for purists. Strategy guides, cheat codes, walkthroughs, hacking – all are off-limits to purists who want to experience the game in its entirety without outside aid.
“Code is Law” Perspective: This group of players sees walkthroughs and strategy guides as acceptable game aids since they don’t involve modifying any of the game code. They believe that the game should not be modified from what the developers intended players to experience, so cheat codes and hacking are not allowed.
“You can only cheat another player” Perspective: This group believes that cheating “only exists in relation to another player.” In other words, it is not the act of using cheat codes or hacking which is unethical, but rather the act of stealing from or deceiving other players in the game world. Thus, the purpose and intent of the cheating are important for these players [ref].
It is interesting to note that no gamer in Consalvo’s survey said that they supported cheating, but real world game experience prove otherwise. There is a growing phenomenon of “griefing” that does exist within game culture.
Griefing is defined as ‘play styles where the player . . . purposefully engages in activities to disrupt the gaming experience of other players’, the motivation for which stems from a desire ‘to demonstrate power and superiority over weaker participants’ [ref].
Griefing should most certainly be considered cheating even under the most lenient definitions because of the purely negative effect it has on the game experience for the targeted players.
Cheating in video games is defined as “Any behavior that a player may use to get an unfair advantage or achieve a target that he is not supposed to . . .” [pdf]. As we have seen, for some players, “unfair behavior” requires manually hacking the game files to maliciously harm another player. For other players, even reading strategy guides and getting tips from friends can be considered gaining an unfair advantage in the game experience. The range of opinions is extremely broad.
Other definitions of video game cheating take into account the importance of rules to the gaming experience. Consalvo argues that successful gameplay is dependent on rules. If these predetermined game rules are broken, she argues, then “the whole play world collapses. The game is over.”
Another video game researcher, Julian Kücklich, also recognized the connection between rules and cheats when he argued that cheats “give the player an advantage that the rules of the game do not allow for . . .” [pdf]. In this definition, the key act that makes a player’s behavior cross the line and become cheating is the act of breaking the pre-determined game rules that all players agree upon before starting to play. Oftentimes, the game developers create these rules to promote a certain style of play within the game and shape the player experience. However, there are still other types of video game cheating which don’t fit under either definition.
In some cases, players can be accused of cheating for violating the social customs and implicit rules of a game world, even if they don’t actually break any rules or gain an unfair advantage. This can happen when players make creative, original game decisions that the developers do not anticipate.
Despite the quibbling about what constitutes video game cheating by academics, the game industry, and players on message boards, there still does not exist a universal definition of video game cheating accepted by most people. Yet, most players in a game community can easily recognize cheating when they see it.
Perhaps the best definition of cheating provided by the academic and research community thus far is Consalvo’s pithy and humorous definition: “Cheating is like porn – hard to define but we know when we see it” [ref]. Her definition reminds us that what constitutes cheating is often highly dependent on the gaming community’s social customs and implicit rules. Offending behavior stands out to players in a game community because it usually flies in the face of the accepted game customs and implicit social rules.
Not all cheaters are the same. It’s impossible to fit all cheaters – or gamers, for that matter – into a single stereotype or definition. The variety and differences among today’s gamer population is simply too great to allow such a blanket categorization. Everyone cheats for different reasons.
Some players cheat to make games easier during solo play by using cheat codes that generate extra lives, allow players to skip levels, or grant God mode (invulnerability). Other players use cheating devices like the Game Genie or GameShark to manipulate the game code in ways that the original developers did not intend – often to generate extra lives, unlock secrets, or “activate unreleased levels, weapons, or items that may not have been available normally, and some even have codes to access debug menus used by programmers” [ref].
Cheat codes and cheat devices are common examples of “harmless cheats” or cheats that only affect the cheater’s copy of the game – often used by gamers to modify their game experience.
Still other players cheat so that they can complete a video game in its entirety. They use strategy guides and walkthroughs that are produced professionally by companies like Prima Games and Brady Games or unprofessionally by fans on websites like GameFAQs.com.
Far from ruining the experience for players, these strategy guides and walkthroughs are often a fanatical player’s best friend, offering in-depth strategies, detailed character statistics, and high resolution maps of game levels. For players who get stuck during the process of playing a game, cheats that alter the difficulty of the game or allow them to skip a difficult level in the game certainly don’t ruin the game experience, but rather, enhance it by allowing the player to complete the game when they otherwise would have given up and moved on to something else.
Still other players cheat for the technical challenge of hacking the game and discovering holes in the game programming. For these players, there is nothing more exciting than the challenge of defeating the latest anti-cheating mechanisms built into a game. These gamers, of whom I am one, view hacking as a metagame – a game within a game – and a legitimate form of play and a normal expression of social behavior in the gaming world.
However, certain hackers take their cheating too far and ruin the game experience for other players. This typically occurs online in the form of aimbots (software that assists the player in aiming), twinking (passing on powerful items to players who would not typically have such items), and the illicit sale of in-game currency.
Certainly, harmful hacking that targets other players should be discouraged, but what about hacking for hacking’s sake? A research study conducted by Talmadge Wright on creative player actions in the popular first-person shooter Counter-Strike had some interesting conclusions about the nature of gaming. After playing for 70 hours on 50 different servers, the researchers came to the conclusion that play, broadly defined, is not just “playing the game,” but “playing with the rules of the game.”
In fact, they argued that playing with a game’s technical features marks the development of creative responses to the rules created by the developer. This has significant implications on our definition of gaming. Increasingly, we find examples in modern games where creative innovation of game action that was not intended by the producers is possible in the game and actively exploited by users for competitive and creative advantage.
The phenomenon of cheating in video games is not new. Some of the earliest games, like Contra for the NES, actually required cheating to beat, because the game was so difficult. The game designers recognized this, and programmed cheat codes into the game to assist players with the difficult task of making it through the entire game.
Cheat codes are unique because unlike other methods of cheating they are knowingly created and inserted into games by the developers themselves. Developers use these cheat codes to playtest certain aspects of games more easily, but often “forget” to take the cheat codes out of the final game, much to the delight of video game fans.
One cheat code in particular, famously known as the Konami Code, is the most widely recognized cheat code in the gaming world and has even made its way into popular culture. When entered on the title or pause screen of the game Contra, the Konami Code would instantly give players 30 extra lives.
The popularity of Contra combined with the widespread usage of this cheat code (because of the game’s difficulty) embedded the button sequence Up, Up, Down, Down, Left, Right, Left, Right, B, A into the minds of many gamers. This specific cheat code sequence is still used in many modern Konami games as homage to the cheat code that made video game cheating famous.
The developer responsible for the Konami Code, Kazuhisa Hashimoto, was interviewed about his role in popularizing cheat codes during his work on the 1985 arcade game Gradius, where the Konami Code first appeared. Hashimoto said:
The arcade version of Gradius is really difficult, right? I never played it that much, and there was no way I could finish the game, so I inserted the so-called Konami code.
Cheating has a natural place in gaming culture and has had an exalted function in the history of gaming. The ethos of the gamer predisposes him to cheating.
The gamer is by nature – and indeed by nurture – a subversive creature. He hunts for shortcuts and trapdoors. He looks for ways to bend the rules. It has been this way for as long as mischievous designers have written software for rebellious kids. Which is to say: forever. [ref]
Cheating has been ingrained in gaming culture since the very beginning – gamers themselves are natural cheaters and hackers, and this type of mentality is cultivated by video games that require exploration, puzzle solving, and critical thinking to solve unique and unusual problems.
Will Wright, creator of SimCity, The Sims, and Spore – more than any other game producer in the industry today – recognizes that cheating and hacking can be positive outlets for creativity and self-expression.
Wright recently visited Stanford University on May 22, 2009, to discuss Human-Computer Interaction and the design process of Spore. During his presentation, Wright discussed the importance of user-generated content to the Spore universe – a universe populated by over 100 million unique, user-generated creatures.
Wright designed Spore with the intention of giving players a larger range of expressiveness than any previous game. With a set of highly sophisticated design tools in the Spore Creature Creator, players are capable of creating highly original creatures and sharing them with a worldwide audience.
Yet even within this environment of sophisticated design tools and nearly limitless design freedom, players still found ways to cheat the system to create even more original, unique creatures. Will Wright described his surprise at Spore users’ artistic “exploits”:
We knew they’d be making things like creatures, but they also did things like robots that we didn’t expect at all. In fact, we decided early on that we weren’t going to put robot parts in the game because we didn’t think they would look very good. The players didn’t seem to care. They used existing parts to make robots, when our artists couldn’t even do that . . . A lot of the things were very artistic and interesting. They found a lot of exploits. They found a way to make disconnected bones and parts work together in a single skeleton by making limbs invisible. So they were actually finding exploits in our system and sharing those exploits with each other.
In this example, Wright is describing the obsessive tendency for video game fans to spend time discovering every last secret, exploit, and cheat in a given game. This special class of game fans – which I will dub “uber fans” – is especially valuable for a game where users create all of the content.
An airplane, a cave man, WALL-E, and a creature with disconnected bones:
These are examples of Spore creatures created by zealous fans. Some fans actually petitioned EA Games to not remove the bug which allowed transparent body parts because they didn’t want to lose their creatures.
Uber fans are valuable because they are the most creative content producers and the most vocal promoters of a game within their peer groups. Uber fans are highly motivated, spending time finding game exploits, writing cheat software, and pushing the game to its creative limits – and beyond.
As Wright put it:
Looking at what players do in my games, more and more they want to be expressive. [Game developers] need to give them larger and larger areas within the game to do weird, surprising, shocking, [and] funny things – especially things they can share with other people.
This creative behavior is the player’s way of getting more ownership over the gaming experience, of stepping outside the limits set by the game developer, of turning the game into a tool of self-expression. Developers should provide positive outlets for player creativity to assist players in expressing their creative desires. Tools like level editors, character skins, and cheat codes enhance the player’s creativity and help to make the player feel like she is playing with a toy rather than a game.
According to the Bartle Test of Gamer Psychology, a significant chunk of the gaming population is looking for a free form gaming experience from their games, which might explain the prevalence of cheating, especially in rigidly structured and rule-driven games.
The Bartle Test, a 30-question test based on the research of Richard Bartle, classifies players of MMOGs into one of four distinct player types: Explorer, Killer, Achiever, and Socializer, each with their own distinct tendencies, likes, and dislikes.
Since the test was launched in 1996, over 570,000 players have taken the test and to discover their classification. According to Bartle, Explorers – more than any of the other player types – enjoy gaming activities that might lead them to be classified as cheaters by the gaming community.
Explorers like to dig around and explore the details of a game, searching for game glitches and hidden surprises left by developers, known as “easter eggs.” In especially restrictive games, Explorers like to see if they can “get the game to do something its programmers probably didn’t intend for it to do”.
Explorers are looking for free exploration and creative play from their game experience. If developers don’t provide positive creative outlets and opportunities for free exploration within their games – and sometimes even if they do – uber fans will still manage to express their latent creativity, often through cheats, exploits, and hacks.
Some gaming companies like Valve, creator of Counter-Strike, Half-Life, and Portal, spend millions of dollars each year to combating cheating – resources that would certainly be better spent developing new games.
Anti-cheat advocates argue that game rules are put in place for a reason – namely, they make the game fun. They argue that cheaters who break these rules ultimately ruin the experience for other players; this makes cheating and hacking – despite their disputed status as unique forms of “gaming” – unethical.
Certainly this viewpoint does have merit. Cheating at other players’ expenses is unfair for players who pay $50 for a video game in the hopes of a balanced, fair game experience. Critics of video game cheating sometimes argue that video games could not exist without explicit rules, structure, and storyline to frame the gameplay and give it purpose.
However, this definition of video games is much too shallow and fails to take into account the recent trend towards open-ended and sandbox gameplay – games largely without rules or objectives. Games like Electroplankton, SimCity, and Little Big Planet are examples of emergent games that stretch the traditional definition of video games by proving players with gameplay free of rules, missions, or clearly defined goals. Are these not games?
Most online gaming companies – Valve included – have a no tolerance policy towards cheating, which they view as undesirable, disruptive, and harmful to the online gaming experience. In 2002, Valve developed a system called VAC (Valve Anti-Cheat) to stop the cheating which was running rampant on Counter-Strike servers.
Today, most Counter-Strike gamers who play on VAC-protected servers are essentially guaranteed a cheater-free gaming experience. From my own investigation, I discovered that over 90% of Counter-Strike servers are protected by VAC, so most players are assured a cheater-free experience.
Valve’s automated cheat detection system will catch anyone using aimbots, nospread, norecoil, wallhacks, speedhacks, and an array of other unauthorized cheat aids [ref]. Cheaters will receive a permanent ban and will be greeted with the following error when connecting to a server:
Your connection to this secure server has been rejected. Because of past cheating violations, you have been banned from playing on all secure servers.
Valve claims that this hard-liner policy is an incredible deterrent to would-be cheaters and that their policy has helped to successfully stamp out cheating from their online games. However, one cannot help but wonder if banning large percentages of customers is the wrong approach to dealing with the cheating problem.
Could there perhaps be a better way to harness the creative energy of cheaters and put it to good use? It turns out that whether it was an intentional act or not, Valve’s decision to explicitly create cheat-free servers also had the unintended consequences of creating cheater-only servers. This actually had the positive effect of creating “hacker havens” – servers where hackers are free to play against other hackers on a level playing field, without the fear of being banned.
Cheaters are often looked down upon in the gaming community as “spoil sports” and troublemakers because they dare to push the limits of the video games they play. But, it is essential to recognize that cheating is an integral part of the gamer psyche.
As game producer, Gordon Walton points out (with regard to The Sims Online): ‘If you leave a cheat long enough, it becomes part of the culture of the game’ . . . In other words, far from contributing to the ‘corruption’ of games, cheats are part of the definition of the game genre. (Kucklich)
Games should not be limited by the game developer’s creativity but instead by the creativity of each individual player. Research in this area is still ongoing, and the definition of gaming is still up for debate. Yet, I hope that one day in the not-too-distant-future cheaters might be looked up to as the most creative gamers of us all.
(If you liked this, you might like Freedom of Speech on the Internet.)